Rhythm Future Quartet – “Bushwick Stomp,” “Sleepless,” and “Made for Wesley”

Rhythm Future Quartet
An acoustic jazz quartet that is inspired by the Quintet of the Hot Club of France. The quartet plays a variety of different music from gypsy jazz standards to more contemporary music.

Here are three recordings of the Rhythm Future Quartet. “Bushwick Stomp” is a modern gypsy jazz tune composed by Olli Soikkelli (the lead guitartist in the Rhythm Future Quartet). “Sleepless” is a tune composed by violinist Jason Anick of the Rhythm Future Quartet. “Made for Wesley” is an arrangement of a tune by violinist Jason Anick.

Jason Anick (violinist and band leader)
Jason Anick is a rising star in the gypsy jazz world. Before forming the Rhythm Future Quartet he performed with many famous musicians in the gypsy jazz world including Robin Nolan, John Jorgenson, Tony Ballog,and Alfonso Ponticelli.

Olli Soikkelli (lead guitarist)
Olli Soikkelli recently moved from Scandinavia to Brooklyn New York where he has become one of the top guitarists in the jazz scene.

Max O’ Rourke
At 19 years of age, Max has toured and recorded with John Jorgenson and Gonzalo Bergera, two of the top gypsy jazz guitarists.

Greg Loughman (bass)
Greg Loughman is a top bass player in Boston. At 41, he is the oldest member of the band.


Yehudi Menuhin/Stephane Grappelli “Crazy Rhythm” and “Sweet Georgia Brown”

Yehudi Menuhin and Stephane Grappelli’s collaboration began in 1970. A few years before that Yehudi Menuhin heard Stephane Grappelli’s jazz violin for the first time after a friend gave him some Grappelli recordings. He liked what he heard and a meeting was arranged between Grappelli and Menuhin. In the beginning Menuhin (a classically trained violinist) worried that Grapelli (a jazz violinist) would be critical of his playing because he couldn’t improvise and Grappelli worried that Menuhin would be critical of his technical abilities on the violin. That discomfort soon went away when they began playing together. Menuhin was amazed how Grappelli could improvise with such ease, and Grappelli respected Menuhin’s playing and even had some solos written out for Menuhin so that they could play together. Their collaboration was so successful that they recorded 6 LPs together. Here are a couple of recordings of Grappelli and Menuhin. The first piece is called Crazy Rhythm and the second is a jazz standard called Sweet Georgia Brown. I hope that you enjoy this music.