Hello dear blog visitors. Welcome to my blog Musical Treats. Here you will find posts featuring well known classical and jazz musicians, composers known and not very well known, and performances and recordings of extraordinary musicians that are known and not very well known. I hope that you will find the posts interesting and educational and will visit my blog often.
I have posted some of my own recordings in the music streaming service Spotify as Robert Jan Dukarm. Here is a link to my recording of an organ prelude by Dietrich Buxtehude. I hope that you enjoy it.
If you wish to know more about me, please visit my Bandcamp page: robertjandukarm.bandcamp.com for my bio and to listen to and/or purchase my recordings. I am in YouTube Music as Robert Jan Dukarm and have a YouTube channel with demo recordings of myself (playing solo and with other people) playing violin, piano, and organ pieces:
George Gershwin was an American pianist, composer, and painter. His most popular compositions include: Rhapsody and Blue, An American in Paris, Swanee, the opera Porgy and Bess, and the tune Summertime. Gershwin also composed many film scores. Several of his compositions became jazz standards. He died in 1937 of a malignant brain tumour.
Here is an unusual video clip of Gershwin’s “Someone To Watch Over Me” sung with harpsichord accompaniment. Marieke Koopman (who is a jazz singer) sings the tune, while her father (the famous organist, harpsichordist, and conductor Ton Koopman) accompanies her on the harpsichord. Ton Koopman has devoted his career to the study and performance of baroque music on historical instruments. He isn’t a jazz musician and a harpsichord doesn’t “support” a singer like a piano does. On a piano the note decays slower and less abrupt than on a harpsichord. On the harpsichord a string is plucked and the note dies right after it is played. The harpsichord also can not do subtle dynamics like a piano can. It sounds very different from what you would expect, but it was done for fun as an experiment. I hope that you enjoy watching it.
Alfred Schnittke was a Soviet composer, music teacher, and theoretician. He composed several really beautiful works and many works written in the avant-garde style. One of his beautiful melodies is a waltz tune that he wrote as part of a film score for the film “Story of an Unknown Actor.” In the original film score, the waltz was not written as a complete piece, but instead was featured in various fragments in the score.
Conductor Frank Strobel took the various fragments and put them together into an orchestral arrangement of the Waltz (which is known as the Waltz of Farewell.) This is the only complete arrangement of this piece that I have come across. The composer to my knowledge never bothered to put the musical fragments together into a complete piece of music. Here is the Rundfunk-Sinfonieorchester Berlin conducted by Frank Strobel performing Strobel’s arrangement of the Waltz of Farewell by Alfred Schnittke. I hope that you enjoy this music.
Scott Joplin was an American composer and pianist. He was famous for his piano rags during his lifetime and was known as the “King of Ragtime.” Scott Joplin composed over 100 rags but is well known today for only a few such as the Maple Leaf Rag, The Entertainer, The Strenous Life, and the Ragtime Dance. Joplin also composed two operas and a ragtime ballet. He died in 1917 on the day that the US entered World War I.
E Power Biggs (1907-1977)
E Power Biggs was a celebrated organist who was one of the leaders in an organ reform movement in the US that advocated playing historical organs and using original registrations. He travelled to Europe in the 1950s and played many historical organs. He liked the clear crisp sound of the early instruments. Upon his return to the US, Biggs met with well known organ builders and many new organs were built based on the European Baroque organ sound. E. Power Biggs is particularly well known for his recordings of J.S. Bach’s organ music on historical organs.
E. Power Biggs also made recordings on an instrument called the pedal harpsichord. Pedal harpsichords were used during the baroque period. A harpsichord can have multiple manuals (keyboards) just like a pipe organ. The pedal harpsichord has multiple manuals as well as a pedalboard for the feet just like an organ.
In 1973, E. Power Biggs recorded two albums of Scott Joplin Rags on the pedal harpsichord. During the time of Biggs’ recording, Scott Joplin’s music was having a revival of popularity. Biggs also arranged several Scott Joplin Rags for the organ around the same time. Here is a Scott Joplin rag called the Paragon Rag and a waltz by Scott Joplin called Binks’ Waltz played by E. Power Biggs on the pedal harpsichord. Notice how different the music sounds on the pedal harpsichord compared to a piano.
Tamezō Narita(1893-1945) was a Japanese composer of classical music. Today he is best known for his song Hamabe no Uta (Song of the Beach) which he composed in 1916. The song became popular among flute players in the West because of a recording that James Galway made in 1979. In 2007 the song was named one of the 100 best songs of Japan. It is still very popular today. Tamezō Narita was born in Akita, Japan and died in Tokyo, Japan.
Here is an arrangement of Hamabe no Uta for cello and piano played by cellist Masatoshi Hirano and pianist Maria Mikulić Śtimac. This is a very beautiful little piece. I hope that you enjoy it as much as I do.
Johann Strauss Sr. (1804-1849) was the first musician in his family to be famous for composing Viennese Waltzes and German Dances. During the 1830s and 1840s, Johann Strauss Sr. became one of the most famous dance composers in Vienna. With his own orchestra he toured France, Belgium, the Netherlands, Germany, England and Scotland. In 1845 his son Johann Jr. made his debut as a composer of waltzes and other dances and became his father’s competitor. Strauss Sr. became jealous of his son and refused to play at Dommayor’s Casino where he had played many times, and where his son made his debut. In 1848 Johann Strauss Sr. composed his most famous orchestral piece called the Radetzky March (which was dedicated to Austrian Field Marshal Radetzky.) Whenever this piece was played the soldiers would clap and stomp their feet. Today in Vienna that tradition has continued and people clap and stomp their feet whenever the piece is played.
Jonathan Scott is an English organist and pianist. He has travelled all over Europe and Asia playing the organ, and also performs with his brother Tom Scott (a pianist) as part of the Scott Brothers Duo. He has a very popular YouTube channel where he plays his own organ arrangements and well known organ pieces. His brother Tom (when he isn’t performing with his brother Jonathan) does an excellent job making attractive videos of the organs and churches where Jonathan plays in his videos. Here is an organ arrangement by Jonathan Scott of Johann Strauss Sr’s Radetzky March. I hope that you enjoy it.
Ernesto Nazareth was a Brazilian composer and pianist. He is known today for his Brazilian Tangos, but he also wrote waltzes, polkas, habaneras, fox trots, sambas, and other types of dance music for the piano.
Here is a polka by Nazareth called Ameno Reseda. It is played by famous Brazilian pianist Arthur Moriera Lima (who won the 2nd prize in the Chopin International Piano Competition, the 3rd Prize at the Leeds International Piano Competition, and the 3rd prize at the International Tchaikovsky Competition.) I hope that you enjoy this beautiful music.
Edward Elgar was an English composer who (along with other composers) helped bring about a resurrection of English classical music in the 20th Century. English music suffered after the death of Henry Purcell in 1695 and England didn’t have a native born English composer of the importance of Purcell until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton, and Benjamin Britten came along in the 20th Century. Elgar is known for his Enigma Variations, Pomp and Circumstance Marches, Land of Hope and Glory, and a few violin/piano pieces. One of his most famous violin/piano pieces is La Capricieuse.
Here are two very different performances of La Capricieuse by Edward Elgar. The first is by Canadian Grammy award winning violinist James Ehnes and pianist Eduard Laurel, and the second is by famous Israeli violinist Ivry Gitlis and pianist Tasso Janopoulo. The James Ehnes performance was released on a DVD called Homage which features him playing various pieces on violins from David Fulton’s collection of expensive violins and violas. Unfortunately the video of James Ehnes seems to have been taken down from YouTube. The Ivry Gitlis performance with pianist Tasso Janopoulo was filmed in 1962. I won’t say anymore because I want people to listen and hear how different the two performances are and decide for themselves which performance they like more.
Sergei Rachmaninov was a Russian composer, virtuoso pianist and conductor. Rachmaninoff and his family left Russia in 1917 during the Russian Revolution and came to the United States. Rachmaninoff had a busy career as a virtuoso pianist and conductor and composed music in his spare time when he wasn’t busy performing piano concertos with orchestras, doing piano recitals, or conducting.
Rachmaninov composed 24 preludes for the piano. One of his most well known and most beautiful preludes is his Prelude Op. 32, No. 5 in G Major. This prelude with its gently flowing left hand part and beautiful soaring melody is a favourite of many pianists. The great pianist Vladimir Horowitz (a friend of Sergei Rachmaninov) was famous for his interpretations of Rachmaninov’s piano music and often performed it in recitals.
Here is a live performance of Rachmaninov’s Prelude Op. 32, No. 5 in G Major played by Vladimir Horowitz from his famous 1986 recital in Moscow, Russia. I hope that you enjoy this beautiful music.
Johannes Brahms was a German Romantic composer and pianist. He was one of the greatest composers of the 19th Century. Brahms composed music for solo piano, 4 symphonies, chamber music, organ chorale preludes, violin and viola sonatas, and many other works. His first compositions were for the pipe organ. Brahms final compositions were a collection of chorale preludes for the organ. He is most well known for his 21 Hungarian Dances which he originally wrote for orchestra but later arranged for solo piano and four hand duet. Joseph Joachim (a famous violin virtuoso friend of his) later arranged the Hungarian Dances for violin and piano.
Brahms began his music career playing the piano in the red light district of Hamburg, Germany (where he was born.) He had dreams of being an organ virtuoso but discovered early on that the organ is a much harder instrument to master than the piano. Brahms abandoned any dreams of becoming an organ virtuoso and became a piano virtuoso instead.
Here are two very different performances of the Hungarian Dance No. 5 for violin and piano. The first recording of the piece is by classical violinist Aaron Rosand and pianist Hugh Sung. The second recording is a live performance done in a radio station studio by Hungarian Gypsy violinist Roby Lakatos and pianist Frantisek Janoska. Roby and Frantisek play the piece in a fiery Hungarian Gypsy style. I will leave it up to you to decide which performance you prefer more. Enjoy.
Claude Debussy was a French composer and pianist. He developed an original system of harmony and musical structure. Debussy’s music has often been referred to as impressionistic (although the composer disliked the term impressionism.) Debussy’s most famous compositions include: Clair de Lune, La fille aux cheveux de lin, The Prelude to an Afternoon of a Faun, La Mer, and his opera Pelléas et Mélisande.
Here are two recordings of Claude Debussy’s piece Clair de Lune. The first recording was made by Claude Debussy himself in 1913 on a piano roll. The sound quality is so good it sounds as if it could have been recorded yesterday. The second recording was from a live performance in 1956 by the celebrated interpreter of Debussy’s piano music, Walter Gieseking. Ironically the sound quality in the second recording done by Gieseking is not as good as the sound quality on the piano roll recording. I won’t say any more about the performances featured in this post as I want people to listen to both performances and come to their own conclusions as to which performance they like best. Enjoy.